We’re excited to present two newly digitised 3D models of the sculptures of Mary Magdalene and St. Paul, offering a rare opportunity to explore these wooden Baroque masterpieces by Joseph Holzinger (1735–1797) in stunning detail.

How We Scanned It

Behind the 3D models of these two figures lies a carefully planned digitisation process tailored to the delicate polychrome and gilded surfaces of the wood. Our goal was not only to create visually engaging models but also to produce accurate digital records suitable for research, conservation, and public presentation.

To capture the precision of Holzinger’s carving we utilized the Artec Leo scanner. This advanced technology was deployed during the Baroque in Slovenia exhibition, allowing for a completely contactless and efficient scanning process.

Why it matters: Contactless scanning is essential for preserving the fragile surfaces of historic wooden artworks, ensuring that traces of 18th-century colour and gold leaf remain undisturbed.

The Artec Leo’s real-time feedback ensured that we captured the intricate geometry of the flowing drapery and the expressive features of the figures from every angle, bringing historic art into the digital age.

Both sculptures have been preserved by the National Gallery of Slovenia since 1933 and represent the height of the late Baroque style:

• Mary Magdalene (1756–1760): A polychrome wooden sculpture featuring an elegant contrapposto and flowing gilded garments. She is shown holding a skull, while subtle traces of colour, like her red lips and the blue lining of her cape, bring the figure to life.

• St. Paul (c. 1763): Carved just a few years later, this figure depicts the saint with his head inclined downward in a moment of reflection. He holds a book, while his outstretched left arm likely once held a sword, his traditional attribute.

From Physical Object to Digital Model

After scanning, the datasets were processed to align, clean, and optimise the geometry, resulting in precise and accessible 3D models. These digital surrogates allow users to examine the sculptures from angles that are simply not possible in a museum display—allowing you to get "up close" to the expressive gazes and fine chisel marks.

The final results are interactive 3D models, viewable online and in augmented reality. This allows you to bring Holzinger’s masterpieces into your own space at real scale, bridging the gap between 18th-century craftsmanship and 21st-century technology.

Explore both models here!